![youtube gotan project tango youtube gotan project tango](https://www.helpowl.com/manualimages/1/q/lenovo-b590-hardware-maintenance-manual-5a8f229_45_68bf.png)
Müller who provided the most interesting of additions.
![youtube gotan project tango youtube gotan project tango](http://4.bp.blogspot.com/-agriiJE6mkM/Uh7_fQlV99I/AAAAAAAAC00/xMh7EUyXu0Q/s1600/lenovo+b590+Series+drivers+For+windows+7-8+32bit-64bit.png)
But it was the man on our right, Christoph H. The chemistry between Torres and Pannone was played on throughout the show as the set introduced a bit of theatre into the equation. Meanwhile, Claudia Pannone’s beautiful voice provided us with our songstress (and seducer) for the evening – while accordianist Facundo Torres joined her for a duet at one point, showing his talents were underused. On our left, Philippe Cohen Solal added in some Andrew Bird esque whistling to the equation, often adding some hand gestures to give off the impression he was telling us a story. While you had the standard piano, guitar and even mandolin fare, there was plenty more to add to their unique live sound.
![youtube gotan project tango youtube gotan project tango](https://cdn.shortpixel.ai/spai/w_924+q_lossy+ret_img+to_webp/https://everythingaboutwifi.com/wp-content/uploads/2019/06/Uninstall-Lenovo-WiFi-driver.png)
You aren’t allowed to ignore the creshendos, nor the payoffs, as the songs shift and change – all part of an audio visual spectacular, which couldn’t have sounded better in the acoustics of the Opera House. While our aural focus begins in most of their tracks on the accordion (played beautifully over the knee by Facundo Torres), the guitar (Eduardo Makaroff lifting it to the Gods as he performs) or the violin, it’s when the beats from Philippe and Christoph kick in that the tracks hit you in the face with that bit of “WOW” factor. While on record the shifts between genres often goes unnoticed, when performed live, the shifts are used to a truly impressive effect. On paper, this fusion of Jazz, Tango, Trip-Hop and Electronica sounds like a concoction too bizarre to work – yet it all feels so natural when masterfully engineered by the trio behind the music. This said, calling their music unique or even adventerous is an understatement. Had they put out three studio records – the third of which, Tango 3.0, they were touring tonight – with much of the same? To my delight, I very quickly discovered that every Gotan track is unique, adventurous, leaving me enthralled from the first note to the last. Regretfully, I only have Lunático to my name, and while a favourite of mine over the last few years, I was doubtful how it would translate live – and unsure as to how it compared to the rest of their material. I went into the gig wondering whether or not their style would tire on me after a while. From there on out, we were hanging on every note, on every word, and as the video background (engineered by multimedia artist Prisca Lobjoy) made its debut in the second number, we couldn’t help but be hypnotised either. It was this song (which you can watch below) that surprisingly opened the set an epic arrangement which saw the song gradually introduce the seven members of the live ensemble, as it built up to a climax which surpassed the already impressive recording – instantly winning over the crowd. The group have released three studio albums, with their second, Lunático, breaking through international waters thanks to their collaboration with American band Calexico, and a television campaign for Finish dishwashing detergent featuring the delightful “Epoca”. Gotan Project are a Paris-based new-wave-jazz-meets-tango three piece, made up of Philippe Cohen Solal (France), Eduardo Makaroff (Argentina), and Christoph H. Thankfully, there are groups like Gotan Project, who returned to the Sydney Opera House last night to remind us that this sort of passion remains a popular (though too often concealed) part of modern music culture. The sort of music made by people with a love for sound, a love for writing, a love for the instrument and a love for the production. In between Flo Rida and T-Pain making their mark on commercial radio, it’s easy to forget that REAL music still exists.